posts tagged with ‘bandcamp’

new EP: (d) – point within a circle

Wednesday, April 18th, 2012

On 4/17/2012, I released a little collection of mostly-unreleased and re-mixed content, called “point within a circle.”  If you need a concise description, using common buzz-words, I’d say that it’s six tracks of electronic, “IDM”, and ambient.  Someone who listened to it noted that it sounded like “early WARP or Planet Mu.”  I certainly don’t mind those comparisons!  Anyway, you can get it on Bandcamp, here:

http://glitched.bandcamp.com/album/point-within-a-circle

As always, it’s FREE or name your price.  Any proceeds that I receive will go toward a physical disc for my next release.

An interesting thing about this EP is that some of these tracks were originally recorded as far back as 2007–they laid dormant on my hard drive for several years before I was able to find the magic ingredient to consider them complete.  Specifically, I found the skeleton arrangement of “before the fires” in early-2012.  I knew something was there, but it needed another layer, something to keep the listener involved.  The Access Virus TI is usually a source of great inspiration (especially for emotive pads), but no sounds seemed to fit.  Software to the rescue!  Yes, it was the humble SQ-8 VSTi, an SQ-80 emulation, that inspired the melody in the middle of that track.  From there, it was easy to finish the song.

A way through” was recorded in 2009, but I could never figure out how to arrange it.  There was a breakdown in the first half of the track that cut off abruptly and didn’t transition well.  I also couldn’t figure out how to end it; 90% of the time I abandon a project, it’s because I have solid groove or feeling, but it doesn’t go anywhere.  Some songs are so inspirational, they almost write themselves, but other times, as good as they seem, they require more work to be considered a finished piece of work.  That’s the story with “a way through.”

Another hinderance in finishing this track was that I had only a couple of tracks to work with because of my haste in recording the whole thing in one go.  Stupid mistake, but through some clever copying, pasting, and cross-fading, the pieces came together.

I’m proud to have put together a cohesive project on my favorite music-website, Bandcamp, and will be doing it again in the very near future.  Speaking of the next project, it’ll be more modular-focused and maybe a little harder-edged; “point within a circle” is certainly a showcase for Elektron products, oh, and the Nord G2.  (I forgot how much I used that thing!)

I’ll leave you with one of my favorites from this compilation, “a way through”:


Thank you for listening, downloading, and reading!

 

remastered [d] track – “clones”

Tuesday, June 15th, 2010

I spent some time going through some of my recent tracks, in a quest to revamp and remaster them using some recently acquired knowledge (and software).  (Hint: FL Studio plug-ins are no joke.)
“3131 (rough)” was the first in this series; “clones” is the next.   Listen to it, here: http://glitched.bandcamp.com/track/clones .

The original version seemed low in volume compared to my other tracks; the bass was somewhat lacking as well.  Usually, you don’t want to overdo it on the mastering front, but the bass, especially in the “boom” range, needed to be brought way up.  (Ideally, I would have boosted the bass in the composition phase [in the machinedrum], but it sounded good in the headphones.)

The lesson to be learned is that you should audition your tracks on several systems before calling it a day.  That being said, I think this newly remastered version sounds much fuller and louder than the original.

Personal note: If you like how some of my tracks sound, I am experimenting with mastering, for a fee.  Let me know if you’re interested in this.

new [d] tracks: “trap” and “master control” featuring WTPA 8-bit sampler

Tuesday, May 25th, 2010

[d] – “Trap” — http://glitched.bandcamp.com/track/trap

Monomachine, Machinedrum and WTPA.  A 0.5 second loop was manually sampled from the Monomachine (going through the Machinedrum) and left freely running.  It wasn’t a perfect loop, so I matched the tempo and created a hip-hoppy beat that just fit.  I raised the “throughput” (dry) volume and that accounts for the saturated sound.  The WTPA has a very warm sound on its own (being 8-bit), but when you overload the input stage, it’s instant character.  That sine tone is from the MD–a random wave LFO is modulating pitch, periodically.  There’s a weird, filtered Atari sound in there, too.  I think it’s a “tank engine” type of sound.

[d] – “Master Control” — http://glitched.bandcamp.com/track/master-control

All WTPA.  A short loop was sampled from the Monomachine and manipulated programmatically, via CC#s, in Live.  (You can modulate start/end/and loop points, on the fly!)  I believe I tweaked the controls in realtime in a couple places.  There’s some filtering and ghetto phasing in places (by doubling up the track) and reverb.  Oh, and I used the Shruti-1 in a strategic places!  (It’s that filter-sweepy sound.)

Both of these tracks are two of my recent favorites.  I love “master control” and spent a lot of time mixing and mastering it.  The WTPA sound can difficult to control.
“Trap” is dirty and dissonant.  Different than my usual.